By Tom Ang
Tom Ang's Digital Photographer's guide, sixth Edition is your final consultant to studying how you can seize, improve, and rework your photos. This best-selling guide outlines key center recommendations that each photographer must examine, construction towards a sequence of initiatives you should use to perform and refine your talents so that you can blow their own horns your photos with confidence—every time.
Whether you would like information on how one can use a flash or are looking to eliminate backgrounds out of your photo, "quick repair" troubleshooting assistance help you with often encountered matters. A deciding to buy advisor unearths features and obstacles of all kinds of cameras, from telephones to dSLRs, that you can ensure that you do are becoming the main from your know-how all through to the printing stage.
DK's richly illustrative layout and Ang's transparent writing and course mixture jointly during this 6th version of the best-selling Digital Photographer's Handbook to make lovely effects achieveable, no matter if you're a beginner or a professional professional.
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Extra info for Digital Photographer’s Handbook
Stray light entering the lens from a bright light source has reflected around the lens and then been picked up by the sensor. ▶ Specks on lens Drops of water on the lens have caused light to be refracted in the water, causing unwanted spots of light in the image. These can be removed by repairing or cloning, but it is better to keep the lens clean in the first place. Note that these spots are not caused by flare (below). HoW To AvoID THe proBLeM Clean the lens or lens filter if it is marked; use a tripod to steady the camera for long shutter times or when using a telephoto lens or setting; if available, use an image-stabilization lens.
The basis of successful colour photography is to use colour in its own right, instead of merely capturing the many hues of a scene. Colour as subject One approach is to photograph colours themselves rather than the objects they imbue – that is, to try to treat the subject as if it were the incidental feature in the scene. You do not need to learn to see in colour, but you do need to learn to see colours for themselves – entirely separate from the thing that displays the colour. This change of mental focus could radically transform the entire way you photograph.
Often, it is better to look for a simple colour scheme as part of a clear compositional structure – too many subject elements can so easily lead to disjointed and chaotic pictures. Digital results Modern cameras are able to capture very vibrant colours that look compelling on your computer’s monitor screen. Because of the way the screen displays colour, these are, in fact, brighter and more saturated than those prints can produce. However, one of the advantages of using computer technology is that the apparent colour range can be enhanced by the application of image-manipulation techniques, giving you the opportunity, first to create, and then to exploit, an enormous range of colour palettes.