By Bernhard Suess
Inventive Black and White images: complicated digital camera and Darkroom suggestions Руководство по креативной черно-белой фотографии для фотографов всех уровней. Книга включает в себя более восьмидесяти черно-белых фотографий, где можно проследить эволюцию образов от идеи до окончательной печати. Каждый пример сопровождается подробным объяснением художественных и технических процессов, а также полезно посмотреть, как и почему фотограф решил использовать именно эти приёмы. artistic Black-and-White images courses photographers in any respect degrees in generating the aesthetically complicated, rigorously crafted pictures theyve consistently dreamed of creating. In his sequel to studying Black-and-White images, photographer Bernhard J Suess back makes advanced technical and aesthetic difficulties effortless to appreciate and grasp. He addresses complex questions of movie publicity and improvement keep an eye on, digital camera filters, artistic use of print distinction, dodging and burning, bleaching, and electronic imaging. Discussing the numerous offerings he makes in his personal images and why, Suess illustrates the selections necessary to winning black-and-white photographs. The e-book comprises greater than 80 black-and-white pictures, tracing the evolution of pictures from thought to ultimate print. each one instance is observed by means of a close rationalization of the inventive and technical approaches concerned in addition to a necessary examine how and why the photographer determined to take advantage of the options. no matter if identifying a digicam layout, arranging a historical past, or composing a portrait, this priceless source exhibits photographers how you can stability assorted parts in an image and take complex steps in growing higher black-and-white pictures.
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When you’re done—and before you begin making final prints—sort the test prints into three piles. Each pile represents where improvements can be made: camera only, camera and darkroom, and darkroom only. Those that should have been shot better go into the “camera only” pile. This group can’t be improved much in the darkroom, if at all. The “camera and darkroom” pile means a partial success. Although they may have some technical shortcomings, they can be improved in the darkroom. The “darkroom only” group consists of photos that need only darkroom work and represents the strongest images from the test prints.
My son did very well on the two-mile hike, including the final steep footpath. The last part of the footpath was steep and with steps, my son counting each one until he was well over a hundred. The round-trip between the parking lot and Marymere Falls is about two miles. Marymere Falls is beautiful. It’s over a hundred feet high and very dark with a fine spray of water. With a 20mm lens, I was able to compose a pleasing photo using some of the foreground elements, which added a visual interest.
The film is developed to provide a full tonal range negative from a full-toned scene. This is Figure 13. (right) This print was necessary since I can’t vary developing times for different scenes on a single roll of film. made from an under-exposed Any variations in negative contrast are handled in print developing. This also leaves open (by one stop), overdeveloped the option for creative contrast control (see chapter 4 for a more detailed discussion). (25 percent additional time) Bracketing the exposures—in half-stops to a stop over and under the meter-determined negative.