By Melissa Harris
Aperture factor 201 (Winter 2010) contains: Portfolios and Essays from Lynsey Addario and Elizabeth Rubin, Aïm Deüelle Lüski and Ariella Azoulay, Lucia Nimcova and Clare Butcher, Willy Ronis and Carole Naggar, Ben Sloat, Axel Hoedt and Magdalene Keaney, Roger Ballen and Walter Guadagnini.
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Other themes such as the transition between land and water or the edges of wilderness and civilization.
However, others. Carefully researching your locations and deciding which it is still possible to take good shots at this time of day. Strong time of day or year will suit them best, is always time well spent. indd 60 17/2/11 10:19:06 SUNRISE It’s difficult to resist sunrise and sunset, especially when there is the added drama of a strong sky. 3 sec at f/22, 3-stop ND grad AUTUMN MIST Spring and autumn are the seasons for mist, which can add a romantic atmosphere to landscape photographs. Look out for a clear, still, cool night, especially if a gentle south-westerly wind is forecast for the morning, bringing some warmer air with it.
The good The basic goal of a composition is to achieve a balance between the news is that your compositional ability will improve quickly as you elements in the frame. One tried and tested method of doing this is gain experience, and the process will soon become instinctive. In the to arrange those elements according to the rule of thirds. To apply meantime, however, there are a number of ‘rules’ we can follow to the rule of thirds, imagine a grid overlaying your viewfinder, dividing help us get to grips with effective composition.