By Herbert F. Tucker
The Victorian interval used to be a time of quick cultural swap, which ended in a big and sundry literary output. A New better half to Victorian Literature and Culture bargains skilled suggestions to the literature of nineteenth-century Britain and its social and old context. This revised and extended variation includes contributions from over 30 prime students who, impending the Victorian epoch from varied positions and traditions, delve into the unruly complexities of the Victorian imagination.
Divided into 5 elements, this new better half surveys seven a long time of background prior to interpreting the keys levels in a Victorian lifestyles, the major professions and walks of existence, the foremost Victorian literary genres, and how Victorians outlined their folks, their houses, and their nationwide identities. very important issues akin to sexuality, denominational religion, social type, and worldwide empire tell each one chapter’s strategy. every one bankruptcy presents a complete bibliography of confirmed and rising scholarship.
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Additional resources for A New Companion to Victorian Literature and Culture
But the initial decision to exclude classical models is perhaps the most striking attribute of the competition itself. What was at stake was both a return to real or imagined national origins, and a rejection of what the immediately preceding era had come to symbolize. The shift from “Georgian” to “Victorian” in the broader political and cultural context is almost as delusively tidy and elusively traceable as the shift from “Romantic” to “Victorian” is for the literary historian. In the visual arts, the deaths of the brilliant young painter and watercolorist Richard Parkes Bonington in 1828 and the fashionable portraitist Thomas Lawrence in 1830 can be set against the continuance of the work of Constable, Haydon, Turner, and Martin throughout the decade (Constable dying first of these, in 1837).
78) “The historic English way” was, at the private level, the way of the stiff upper lip and muddling through; at the public level it was the way of constitutional monarchy. Well before 1848 clear evidence of legislative progress toward the amelioration of political, social, and economic ills afflicting “the lower orders” was visible. Moreover, attempts to organize workers and their supporters into a force that would have proved threatening to England’s political and social stability had, by the close of 1848, proven ineffectual.
Carlyle the transcendentalist skeptical of transitory political nostrums, Mill the rationalist discovering alternative worlds in Wordsworth and in Coleridgean political thought, Bulwer the dandy-reformer who asked Mill to write an appendix on Bentham for England and the English but later turned Conservative, make uneasy company; yet enough of a common temper enters these works to explain Carlyle’s first hope that Mill was a “new Mystic” and Mill’s exhortation to Carlyle to read Bulwer. ” What were the common elements of these disparate works?