By Briggs & Co.,Carol Belanger Grafton
Treasury of infrequent Victorian-era designs for borders, wreaths, cushion squares, sprays, and different initiatives. comprises styles for verbena, strawberry, lily, and lots of extra.
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Extra info for 400 Floral Motifs for Designers, Needleworkers and Craftspeople
Humphreys. (0-486-20287-9) EMPIRE STYLE DESIGNS AND ORNAMENTS, Joseph Beunat. (0-486-22984-X) ARABIC GEOMETRICAL PATTERN AND DESIGN, J. Bourgoin. (0-486-22924-6) DESIGNS AND PATTERNS FOR EMBROIDERERS AND CRAFTSMEN, Briggs Company. (0-486-23030-9) VICTORIAN FRAMES, BORDERS AND CUTS, George Bruce’s Son & Co. ). (0-486-27232-X) AMERICAN FOLKART DESIGNS AND MOTIFS FOR ARTISTS AND CRAFTSPEOPLE, Joseph D’Addetta. (0-486-24717-1) 3,800 EARLY ADVERTISING CUTS, Deberny Type Foundry. (0-486-26658-3) PERSIAN DESIGNS AND MOTIFS FOR ARTISTS AND CRAFTSMEN, Ali Dowlatshahi.
Y. ) However, republication or reproduction of any illustration by any other graphic service, whether it be in a book or in any other design resource, is strictly prohibited. Y. 11501 Library of Congress Cataloging-in-Publication Data 400 floral motifs for designers, needleworkers, and craftspeople. (Dover pictorial archive series) 1. Embroidery—Patterns. 2. Decoration and ornament. 3. House furnishings. I. Grafton, Carol Belanger. II. Wm. Briggs and Company. Album of transfer patterns. Selections.
If the results are too faint, apply more pressure; if too heavy, less pressure. Too heavy a line is difficult to hide with embroidery and too light a line is hard to see, but keep in mind that the transfer does have a tendency to fade a bit as it is handled and so should be a little on the heavy side. After adjusting the impression, trace the entire design and then remove the carbon and all but two pins. Carefully lift one side of the tracing paper and check to make sure the design is intact on the fabric before removing the pattern.